KEITH NEGUS PRODUCING POP PDF

Producing pop: culture and conflict in the popular music industry. Responsibility: Keith Negus. Imprint: London ; New York: E. Arnold ; New York: Distributed in. Keith Negus – Producing Pop Identifies two distinct ways of thinking about potential artists from within the music industry. These ideologies. by. Keith Negus. · Rating details · 7 ratings · 0 reviews. Producing Pop provides a fascinating behind-the-scenes analysis of one of the world’s major.

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Producing Pop: Culture and Conflict in the Popular Music Industry – Keith Negus – Google Books

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Producing Pop: Culture and Conflict in the Popular Music Industry

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Music trade — United States. Drawing on extensive interviews and research within the industry, Keith Negus neguw how artists are discovered, how recordings and videos are produced, and how artists are promoted through radio, television, magazines, clubs and personal appearances.

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Producing pop : culture and conflict in the popular music industry in SearchWorks catalog

Nielsen Book Data Publisher’s Summary This work provides a behind-the-scenes analysis of the world’s major entertainment industries. Focusing on the contribution of recording industry personnel, it challenges the simplistic assumption that pop music is merely determined by corporate financial interests, and argues against writers who portray the music business as a cultural assembly line Producing Pop provides a fascinating behind-the-scenes analysis of one of the world’s major entertainment industries.

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Between the artist and audience Feeding the world: Gaetano Tantimonaco rated it really liked it Jan 02, Find it at other libraries via WorldCat Limited preview. Ardi marked it as to-read Jun 02, Just a moment while we sign you in to your Goodreads account.

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Focusing ;op the contribution of recording industry personnel, it challenges the simplistic assumption that pop music is merely determined by corporate financial interests, and argues against writers who portray the music business as a cultural assembly line.

Focusing on the recording industry producint who often remain invisible behind the star names and audience styles, it challenges the simplistic assumption that pop music is merely determined by corporate interests, and argues against writers who portray the music business as a cultural assembly line.

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