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Asia Pacific Screen Academy. Eiga Ranking Dot Com staff. The Counterfeiters — Stefan Ruzowitzky Dangerous Moves — Richard Dembo Byrnes found that Departures used the symbol of the cherry blossoma flower which blooms after the winter only to wither soon afterwards, to represent the transience of life; through this understanding, he wrote, Japanese people attempt to define their own existence.

The childhood memory of his father’s face returns to him, and after he finishes the ceremony, Daigo gently presses the stone-letter to Mika’s pregnant belly. Gleiberman, Owen 27 May Schilling, Mark 5 September My Uncle — Jacques Tati Natural symbols are further presented through the changing seasons, which “suggest delicate emotional changes” in the characters, [52] as well as the letter-stones, which represent “love, communication, [and] the baton being passed from generation to generation”.

War and Peace — Sergei Bondarchuk Archived from the original on 15 July Race, Ethnicity and Migration in Modern Japan: Retrieved 15 June Hale, Mike 15 May Several critics discussed the theme of death found in Departures. As they are the movie’s “central dramatic piece”, the encoffining ceremonies in Departures have received extensive commentary. Archived from the original on 12 May Adams, James 11 June Production of Departures took ten years, and the work was ultimately only loosely adapted from Coffinman ; [18] later revisions of the script were worked on collaboratively by the cast and crew.


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The non-profit organization Sakata Location Box koe established in December to handle on-location matters such as finding extras and negotiating locations. The Daily Telegraph staff 3 December Monsieur Vincent — Maurice Cloche Retrieved 22 May Japanese Association of Independent Television Stations 9: The Sydney Morning Herald.

Frater, Patrick 10 November Retrieved 20 June Franck Tabouring of DVD Verdict was highly complimentary toward the film and the digital transfer, considering its visuals clean and sharp and the audio particularly the music “a pleasure to listen to”.

Retrieved 30 May In Kinema JunpoTokitoshi Shioda called Departures a turning point in Takita’s career, a human drama capturing both laughter and tears, [] while in the same publication Masaaki Okuriibito described the film as a work of supple depth that perhaps indicated a move into Takita’s mature period, praising the director for capturing a human feeling from Motoki’s earnest encoffining performance.

Death portal Film portal Japan portal. Retrieved 3 June Chunichi Shimbun in Japanese Evening ed. Retrieved 12 May Byrnes, Paul 12 October In OkuribiroContentFilm acquired the international rights to Departureswhich by that time had been licensed for screening in countries such as Greece, Australia, and Malaysia; the film was ultimately screened in 36 countries.


Japanese funerals are highly ritualized affairs which are generally—though not always—conducted in accordance with Buddhist rites. Archived from the original on 25 December Upon completion, Takita declared Departures “perfect”, and praised the crew for their self-reliance in developing the content and the humble, “hand-made” quality of the film. This page was last edited on 24 Hisaisjiat Rashomon — Akira Kurosawa The Great Beauty — Paolo Sorrentino Gate of Hell — Teinosuke Kinugasa Yamane was especially impressed by the delicate hand movements Motoki displayed when he performed the encoffinment ceremony.

Okuribito Original Soundtrack by Joe Hisaishi on Spotify

Cinema Topics Online staff 20 January He is subjected to prejudice from those around him, including from his wife, because of strong social taboos against people who deal with death. He had the opportunity to view the film before beginning the adaptation, and hiasishi to feel that a too-literal adaptation would not be appropriate. Eiga Ranking Dot Com in Japanese.

Tsukada, Izumi 15 September Mediterraneo — Gabriele Salvatores Retrieved 2 June Antonia’s Line — Marleen Gorris

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