: Stevens: Trumpet Sonata (): Halsey Stevens: Books. Check out Halsey Stevens: Sonata for Trumpet and Piano: I. Allegro moderato by Giuseppe Galante on Amazon Music. Stream ad-free or purchase CD’s and. Print and download in PDF or MIDI SONATA for trumpet and piano: 1. for trumpet and piano (only trumpet part) composed by Halsey Stevens.
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The other is up a major third then back down a major third Dearden One is a whole step down hslsey by a whole step up Dearden The exposition begins with a piano introduction that begins in F minor, but transitions to F major right before the first theme is played Dearden The first theme is played by muted trumpet and starts in A-flat over tone clusters in the piano, but both end up in E-flat within a few measures Dearden It is also in reverse order—the second theme is played first Dearden The coda is brief—less than ten measures long Dearden You are commenting using your Facebook account.
Movement III — Allegro Exposition The exposition begins with a piano introduction that begins in F minor, but transitions to F major right before the first theme is played Dearden We do not use or store email addresses from this form for any other purpose than sending eonata share email. The third theme is played by muted trumpet and it is comprised mostly of a single idea that is repeated and transposed, played in quarter note triplets Dearden During this, the trumpet flows smoothly from G-flat to D-flat and then to A-flat when the introduction comes back Dearden Dearden, Jennifer Lorien Sonata For Trumpet And Piano.
The recapitulation is the shortest section of this movement Dearden At the conclusion halsye the fanfare, the piano plays an interlude Dearden Development The development is the largest section of this movement Dearden The trumpet makes it sound a bit like a fanfare, resolving to F a few measures from the end Dearden The introduction is stated nearly identical to the first time it is stated, with only a few changes Dearden This melody is mostly scalar with some leaps supported by a D-flat pedal that spans four octaves in the piano Dearden Steveens the trumpet enters, it is playing an inverted form of what the piano was playing with some rhythmic changes Dearden All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto.
The third balsey continues in D-flat major Dearden With solo part and piano accompaniment.
This piece was also influenced by Aaron Copland in its use halesy smooth and connected leaps of wide intervals McNamara Fill in your details below or click an icon to log in: You can follow any responses to this entry through the RSS 2. Set of performance parts includes separate pull-out trumpet part.
The introduction is played in F minor, just as it was the first time, but the trumpet is playing this time Dearden Be respectful of artists, readers, and your fellow reviewers.
The beginning of the introduction is hinted at twice before it is actually stated Dearden Close X Music Lists. The first part of the second theme is shorter and in D major Dearden Two melodic motives are also introduces in this section of the movement Dearden Stevens composed music that was essentially tonal but not without modern influences, particularly Stravinsky and Copland.
Stevens has created a masterful work for trumpet and piano. The rising third motive from the first movement its also played in the piano, most of which is over a pedal E-flat Dearden Retrieved January 13,