Agudeza y arte de ingenio, I (Clasicos Castalia) (Spanish Edition) [Baltasar Gracian] on *FREE* shipping on qualifying offers. Arte de ingenio. 8 Baltasar Gracian, Agudeza y arte de ingenio, ed Evaristo Correa Calderon. 2 vols (Madrid’ Castalia, ), I, 64; all quotations from the Agudeza are from this . Although Baltasar Gracián’s Agudeza y arte de ingenio () is a masterpiece of the. Spanish Golden Age, the rhetorical significance of this work has not been .
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Be the first to review this item Amazon Best Sellers Rank: Amazon Renewed Refurbished products with gtacin warranty. From the very beginning, Gracian strives to define the relation of his subject to the rhetorical tradition that underlies it. Ricardo Rosales marked it as to-read Aug 26, Las demas que no tienen este realce, son seme- janzas comunes, muertas ingdnio el picante de la connexion funda- mental.
These relations are the material on which the wit of the conceit of proportion works. AmazonGlobal Ship Orders Internationally.
Brandon Danaher marked it as to-read Dec 08, The framework in which Gracian places his definition is not so much Scholastic philosophy as traditional rhetoric.
Poco fuera en la arquitectura asegurar firmeza, agudezza no atendiera al ornato” I, Castalia May 10, Language: Volumetrico rated it really liked it Oct 23, Similarly, the correspondence Gracian finds between two “causes” of the Virgin, her parents Anna and Joa- chim, lies in the gloss their names meaning, he tells us, “grace” and “preparation” provide on the Immaculate Conception of Mary I, He consistently posits a ingehio between rhetoric jngenio wit.
But the phoenix, according to both Pliny and Ovid, constructs his pyre of aromatic materials—cinnamon, spikenard, and myrrh—so that the reborn phoenix is “conceived amid aromas,” just like, so the witty simili- tude has it, John the Baptist amid the incense of his father’s priestly of – fices.
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Agudeza y arte de ingenio | work by Gracián |
For the sake of clarity, Grcain will at times use the more familiar terms “common- place” and “topics” to describe what Gracian means by the relation of the subject to its adjacents. His initial approach to the question is a partial one: Share your thoughts with other customers.
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He acquired fame as a preacher, although some of his oratorical displays, such as reading a letter sent from Hell from the pulpit, were frowned upon by his ingenoo.
El entendimiento, pues, como primera y prin- cipal potencia, alzase con la prima del artificio. Of course, we remind ourselves, I ‘art pourl ‘art is an invention of the nineteenth century, and the primary meaning of arte in seventeenth-century Spanish corresponds to the Latin ars and the Greek techne, art as a body of heuristic rules governing some skill, art as a means to some end. GRADY 29 two disparate objects—is not what makes a “witty” similitude “witty”; without some special “heightening,” it is t a “common similitude,” says Gracian disparagingly.
He notes in passing that this graciin of wit is much practiced because of its ease of conception I, 76but he takes a connoisseur’s delight in guid- ing us through a full complement of examples and showing us the sub- tle differences of effects achieved when different parts of the common- place relations are put into opposition.
Sebastiano marked it as to-read Nov 16, Its methods involve exploiting the possibilities of analogies to forge new concepts, as Donne does in his explorations of human and divine love, and as Gracian does in formulating his peculiarly “aes- thetic” conception of the conceit.
The ingenio, the mind in its function of producing wit, is coupled with the emotions and passions and contrasted w-ith reason. Get to Know Us. For Gracian, the most typical form of the conceit is the “proportion,” the discovery of an “intellectual symmetry” within the material formed by the subject and its adjacents. Wit is no longer the orphan it was at the beginning of the book; its parents have been identified. Want to Read saving….
Rui Miguel Mesquita marked it as to-read Apr 29, Eduardo Losada marked it as to-read Jun 26, He studied at a Jesuit school in and and theology in Zaragoza. With Gracian above all, to translate is to interpret, and this and all subsequent translations are my own; I HUGH H GRADY 23 osa panegiri, ya en ingeniosa crisi, digo alabando o vituperando—, uno como centra, de quien reparte el discurso, Hneas de pondera- graciin y sutileza a las entidades que lo afte esto es, a los adjuntos que lo coronan, como son sus causas, sus efectos, atributos, cali- dades, contingenoas, circunstancias de tiempo, lugar, modo, etc.
It is among the last serious works of Western literature to give rhetoric a place in the first rank of the various intellectual disciplines, and in this quality it seems an alien, even forbidding treatise, bristling as it does with references to a largely forgotten but intricate body of lore much like the poetry it celebrates. Agudeza y arte de ingenio. Dennis marked it as to-read Dec 24, Of course, we remind ourselves, I ‘art pour tart is an invention of the nineteenth century, and the primary meaning of arte in seventeenth-century Spanish corresponds to the Latin ars and the Greek techne, art as a body of heuristic rules governing some skill, art as a means to some end.
This artistic arrangement of thought is, of course, wit in general, with the conceit its basic unit. If every art, if every science which tends to perfect the acts of the under- standing is noble, that which aspires to intensify its highest and most subtle good should merit fame as the sun of the intellect, the consort of the ingemo, and the begetter of the conceit and of wit.
John the Baptist is the Phoenix of the Saints because, martyred before the Redemption, he had to spend a term in hell or, some said, in limbo before being raised when Christ “har- rowed hell” after the Resurrection; thus he is the only Christian saint who underwent this spiritual “death” before glorification in heaven, just as the phoenix must die in his funeral pyre before being reborn. To ask other readers questions about Agudeza y arte de ingenioplease sign up.
The case of the “witty similitude”—the conceit as modern usage has defined it in practice—is the case most resistant to Gracian’s methods and mentality because it soars beyond the ordinary commonplace material which is Grecian’s habitual starting point for thought, and be- cause its form, within the critical vocabulary of his day, is virtually indis- tinguishable from the nonwitty semejanza com,mun, which is, for Gracian, a mere flower of rhetoric.
The understanding, then, as the prime and princi- pal power, achieves the height of artifice, the extreme of skill, in all its different kinds of ob- jects ” 32 GRAClAN’S agudeza rate in three of them because sensations possess the latent capability of being artistically arranged as, to repeat his examples, the agreeable proportions of architecture and the other visible arts, the harmony of music, and the skillful combinations of flavors of the talented cook.
We are more familiar, perhaps, with other labels for the pro- cedure: Amazon Restaurants Food delivery from local restaurants. ComiXology Thousands of Digital Comics. If this reading is correct, the wit of the similitude does not reside in the simile as such, which is merely a device of rhetoric, but in the symmetrical patterning, the link between twro of love’s adjacents, that it forms.
It escapes precise definition.
Agudeza y arte de ingenio
In other examples drawn from the same section of his argument, to be sure, it becomes clear that conceits of proportion can also take the form that we wmrld call metaphoric. In short, Gracian’s Agudeza is not only the summa of wit that Curtius described, but a link in the often ill-defined passageway from the seven- teenth to the nineteenth century, and a work that begins to take on new relevance to the last decades of the twentieth.
Bethell’s treatment of Gracian drew more attention to Emanuele Tesauro’s II cannocchiaie aristotelico than to the Agudeza. And, Gracian argues, since the understanding is ingenoo to the senses in perceiving objects its own thoughts and since the understanding is the highest mental faculty, the artistic arrangement of its objects is logi- cally the highest of all the arts.