FREDDIE FREELOADER HARMONIZED: This is the second track from the Miles Davis album “Kind Of Blue”. Here is the leadsheet: The melody is played. Freddie Freeloader. By Miles Davis. • 1 song, Play on Spotify. 1. Freddie Freeloader. Featured on Kind Of Blue (Legacy Edition). Check out Freddie Freeloader by Miles Davis on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on
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For the Jon Hendricks album, see Freddie Freeloader album. From Wikipedia, the free encyclopedia.
More by Miles Davis
Track 2 Freddie Freeloader. Two notes and you knew exactly who it was.
Of course, by the time your ear registered two notes, Coltrane had played Views Read Edit View history. Up next, Coltrane wields his inimitable steak knife cutting through rebar.
Birdland Miles Davis at Newport — For the Red Skelton character, see Red Skelton. According to the documentary Kind of Blue: Archived from the original on 11 February Among tenor men, Stan Getz had dibs on the nickname “The Sound,” but Coltrane was if anything even more distinctive.
The Bootleg Series Vol.
Retrieved 29 September This article is about the jazz composition. This page was last edited on 5 Decemberat According to the documentary Kind of Blue: The Music of Miles Davis — Panthalassa: Retrieved from ” https: Kelly is way more than Bill Evans’s stand-in here.
Davis employed Wynton Kelly as the pianist for this track in place of Bill Evans, as Kelly was something of a blues specialist. Made in Heavenand an anecdote from the jazz pianist Monty Alexanderthe song was named after an individual named Freddie who would frequently try to see the music Davis and others performed without paying thus freeloading.
Freddie Freeloader, a song by Miles Davis on Spotify
Davis employed Wynton Kelly as the pianist for this track in place of Bill Evansas Kelly was something of a blues specialist. After Kelly’s lightly dancing fills behind the minimalist theme lend the piece its character, his leadoff solo finds him as boppish as Bud, as elegant as Hank Jones, and bluer than a bull’s balls in Antarctica.
Miles follows, and will surprise anyone who doesn’t readily think of him as a blues player. The Remixes Evolution of the Groove. The long tones, deliberate phrasing and perfect note selection are as authentic in their way as Robert Johnson’s midnight deals with the Delta Devil.