Henri Dutilleux. Choral, Cadence et Fugato, for trombone & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. Dutilleux’s Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent. Henri Dutilleux – Composer – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical.
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While this instrumentation has come to be common, it is still not “Standard” as many Brass Dectets use very different forces, most often with more Horns than PJBE. caence
Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead. String Instrumentation Codes Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example: Dutiloeux numbers represent only distinct parts, not the number of copies of a part.
The accompaniment foreshadows the fugue theme between each phrase and the trombonist is provided ample opportunity to cwdence a personal spin on each phrase. There is no low brass. Example 2 – Jones: And finally, here is one more way to visualize the above code sequence: Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass.
Choral, Cadence et Fugato. Titles listed in our catalog without bracketed numbers are assumed to use “Standard Instrumentation. These numbers tell you how many of each instrument are in the ensemble.
Example 1 – Beethoven: Vining has appeared as a soloist and clinician nationwide and as cadfnce guest artist at many conferences. The seven minute piece begins with a lovely lyrical chorale tune in the trombone accompanied by lush piano chords. Following many of the titles in our Brass Ensemble catalog, you will see a ef of five numbers enclosed in square brackets, as in this example:. Those trombonists interested in participating in the Eastern Trombone Workshop solo competition will soon become intimately acquainted with this piece as it is the required work for one of the age groups.
Copland Fanfare for the Common Man [ Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: The bracketed numbers tell you how many of each instrument are in the ensemble.
One of the more important recital works in the repertoire.
Choral, Cadence et Fugato, for trombone & piano
The first set of numbers before the dash represent the Woodwinds. Sometimes there are instruments in the ensemble other than those shown above. This is standard orchestral nomenclature. Alphonse Leduc,piano score and solo part. Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ]. The second example is common for a concert band or wind choal piece.
The set of numbers after the dash represent the Brass. In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common.
Dutilleux Chorale, Cadence & Fugato for Trombone Solos w/Piano
Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:. In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoonsand there are two each horns and trumpets. After some development of fugaro ideas the fugue theme is stated in augmentation in the piano, over which the trombone plays a virtuosic fanfare figure.
Example 3 – MacKenzie: Note also that the separate euphonium part is attached to trombone with a plus sign. Other Required and Solo parts follow vugato strings:. The fugue theme, first stated in the low register of the piano, is angular dugato rhythmic.
The bracketed numbers tell you the precise instrumentation of the ensemble.
Titles with no bracketed numbers are assumed to use “Standard Instrumentation. Composed for the French pedagogue Andre LaFosse, Choral, Cadence et Fugato has appeared on required lists for various solo competitions over the years but has not found its way into the mainstream of trombone recital programming.