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Jazz Latin New Age. In the case of Sequenza XII for bassoonPascal Gallois was a crucial catalyst for Berio ‘s decision to write the piece at all, demonstrating the wide-ranging personality of the instrument, including its timbral and technical possibilities.
Sequenza XII, for bassoon | Details | AllMusic
Various performers Kenneth Munday, bassoon. From Wikipedia, the free encyclopedia. Rainy Day Relaxation Road Trip. Share on facebook twitter tumblr.
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Luciano Berio: Sequenza XII
Naxos 3CDs Stradivarius 1CD In Sequenza XII Berio makes deliberate use of the different registers and explores the physical limits of performance through extended techniquesfor example, through different uses of the tongue to modify airflow, by writing notes and phrases that are so long they require the performer to use circular breathingthe use of glissandoand multiple sounds producing by singing through the instrument while playing Osmond-Smith ; Pedone In a live performance, the piece can stretch to close to half an hour; the performer’s ability to circular-breathe is virtually a necessity, with some glissando passages lasting for many minutes without a pause.
Sequenza XII (author’s note)
This article about a classical composition is a stub. A Garland for Dr. Un re in ascolto Cronaca del luogo.
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