COPYRIGHTS AND COPYWRONGS PDF

Siva Vaidhyanathan is the Robertson Family Professor of Media Studies at the University of Virginia. His work has appeared on public radio, on CNN, BBC, and . Copyrights and Copywrongs: The Rise of Intellectual Property and How It. Threatens Creativity. By Siva Vaidhyanathan. New York, New York: New York. Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity; Siva Vaidhyanathan; ; Book; Published by: NYU Press; View.

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Jul 15, Julie rated it it was amazing. Mark Twain and the History of Literary Copyright. Be the first to ask a question about Copyrights and Copywrongs. The Rise of Intellectual Property and How it My library Help Advanced Book Search.

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Project MUSE – Copyrights and Copywrongs

Copyrights and Copywrongs pp. The author, a media scholar and cultural historian, presents a reasoned and compelling argument for “thin” copyright policy.

I wrote a review of this for RCCS a while back. Upon copyirghts examination, strict legal guidelines prove insensitive to the diverse forms of cultural expression prevalent in the United States, and reveal much about the racialized cultural values which copyrwongs our system of laws. In this book, he has spelled out in clear, copydrongs language what’s at stake in the battles over the nation’s intellectual property.

He argues persuasively that in its current punitive, highly restrictive form, American copyright law hinders cultural production, thereby contributing to the poverty of civic culture. Though at times a bit dry and repetitive, Vaidhyanathan’s book surveys the history and development of copyright law and points out the gross lengths by which it has deviated from the original intent.

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Copyrihts history of copyright in the US, with emphasis on the Constitutional directive that it support creativity. Copyrigts Vaidhyanathan is a cultural historian and media scholar, and is currently a professor of media studies at the University of Virginia. As a writer of a continuing series of archival and historical information that will never be published for public use, it is interesting to learn of so much of copyright law has stymied creativity where it could lead to the need to backpedal on what seems to be corporate control and legislative overreach.

NYU Press will cancel exam copy orders if information cannot be verified. Jun 02, Darrell rated it really liked it.

Colin rated it really liked it Sep 28, Copyright, Vaidhyanathan asserts, is policy, not property. Since the subject matter is complex, it is a bit dense, but the payoff of what you get out of it is worth it. Questions of legitimacy–of what constitutes “intellectual property” or “fair use,” and of how to locate a precise moment Copyright reflects far more than economic interests.

Jan 26, Matt rated it liked it. There are no discussion topics on this book yet. Preview — Copyrights and Copywrongs by Siva Vaidhyanathan. However, the prose is at times repetitive, and for every passage where the author lets personality show through, there seems to be an offsetting, academically-dry passage. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.

Jul 18, s2artM rated it it was amazing Shelves: How, for example, can ownership of music, lyrics, or stories which have been passed down through generations be determined? Embedded within conflicts over royalties and infringement are cultural values—about race, class, access, ownership, free speech, and democracy—which influence how rights are determined and enforced.

Copyright reflects far more than economic interests. NYU Press- History – pages.

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Copyrights and Copywrongs

And whereas I am fairly well versed in the situations of the past decade, I was completely unaware of the goings-on in the 19th and early 20th-Centuries. About the Author pp. In addition to choking cultural expression, recent copyright law, Vaidhyanathan argues, effectively sanctions biases against cultural traditions which differ from the Anglo-European model.

It’s cool too cause vopyrights got a t this book is a really interesting exploration of the history of copyright law. Want to Read saving…. I learned more from this book than I thought possible.

I expected to like this book more than I did, as it is cited by a lot of authors I’ve been reading on the subject. In addition to choking cultural expression, recent copyright law, Vaidhyanathan argues, effectively sanctions biases against cultural traditions which differ from the Anglo-European model.

American Music Challenges the Copyright Tradition pp. Bringing to light the republican principles behind original copyright laws as well as present-day imbalances and future possibilities for freer expression and artistic equity, this volume takes important strides towards unraveling the complex web of culture, law, race, and technology in today’s global marketplace. Might want to skip the last bit where the death of copyright is predicted. Common terms and phrases African American album American authors American copyright law Apple argued artists authorship Banzhaf Ben-Hur Biograph blues British called Circuit Court claim common law Congress copy Copyright Act copyright protection copyright system court ruled created creativity culture D.

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